Showing posts with label the radicant. Show all posts
Showing posts with label the radicant. Show all posts

March 7, 2010

Where da Party?

Paper or Plastic? Consuming or producing? Post-modern or Altermodern?

Today with global capitalism each sector of the world has been introduced into a digital world at the same time, rather than going through an agricultural, industrial, and then technological process that has lead to this digital new media era. Now the 20 yr old generation has grown up with a sense of the same technology and ability of that new media.

In the next few generations students around the world will hopefully be experiencing the same amount of access to the new technologies. Due to this spread of materialism and products and the consumption of these products, our world has interconnected itself through the trading of those products - creating (of course) a circle.

However, capitalism has seemed to have taken a hit from "dematerialization" the new technology seems to enforce. Without a product to sell there is no consumption of that product unless of course one has changed the essence of that product to what was materialistic to a new conceptual and 'altermodern' product, but the question is can these still be sold? or is everything up for grabs? Ideas, beliefs, time, ..or knowledge.

The amount of information on the net void is infinite, the amount of credible information of the net is questionable. But Nicolas Bourriaud explains in the ending pages of his book The Radicant, that locations seem to take a huge toll in validity or legitimacy of art and knowledge. As a 'semionaut' in order to lead your audience down a path of progressiveness concepts and ideas you need art to embody the signs and visual, or audio, representations that will direct the world to understand what will be. The signs do not necessarily have an end, and obviously the journey is the art or the answer, rather than the destination, but Bourriaud is trying to express that these projects are merely "dots upon a moving line" where our contribution is shared with everyone in the world simultaneously and access is infinite, therefore making it never-ending.

"The quality of an artist's work depends on the richness of his or her relations with the world and these are determined by the economic structure that more or less powerfully shapes them -- even if, fortunately every artist theoretically has the means to evade or escape that structure."

A good artist is a "net citizen" for the media void which serves us and is there for us to spit anything into it. Although, the responsibility a net citizen has is to guide those within to sincere intellectual place of knowledge or interest. But there will always be citizens who are irresponsible.


This is NOT the Altermodern stage yet because everyone does NOT have equal access to technological void of knowledge in which everyone must be apart of to have an altermodern society, but are we close?

Sometimes people choose not to be apart of that society does this make impossible to be the altermodern society?No as long as the option is there, people NOT choosing it cannot prevent from societal changes to occur. One can chose to be ignorant and sometimes some people cannot handle the truth, so it is a practical precaution to choose not to participate as a 'net citizen' in this void where knowledge can be infinite (at least for the human's finite brain).



February 28, 2010

French Potatoes

What we classify as good enough to show off, in public, in galleries, at the Olympics etc. What passes the test for US products? What doesn't? Some products are sold in South Korea before they are sold in the US as to see how well they did hear measuring whether the profit in South Korea would make a profitable impact in the States.

The separate consumer locations now classify social status and where you can shop. The separate portrayals of classy and not classy all depend on where you buy it rather than what you buy. Fashion judges everywhere seem to have thier eye on you in Reality TV shows like What Not To Wear and Project Runway.

The "Revocable Aesthetics" mentioned in Nicolas Bourriaud's The Radicant are served to us as the-best-possible-thing-you-could-ever-need and decided upon by a set hierarchy that was put into place by who knows who - God supposedly.

So if something else maybe unpleasant was placed in the window what would everyone say?
NYTimes - I think there was a naked person on a corner window and the caption was - "its not inappropriate it's art". So would you approve of a naked woman or man standing in a window display at a corner in New York City?

Well should there be limitations to some media? What media? What art? Should what is displayed in windows be something that can only be sold to the public? Artists can take that even further and represent ideas that are 'sold' to the public. Persuasive arguments that convince people to support this or that idea displayed in a corner store window. What about a politician's message or protester signs?

Is anything in a corner store window aesthetically pleasing because it is displayed as such? What makes it more valuable to be on the Plaza in Kansas City, Missouri rather than in the JCPenny outlet store down the way? I guess this is in terms of fashion, but fashion is 'supposedly' an artform where the public as the opportunity to wear it around in public for everyone to see rather than keep it in a gallery. Does the art of fashion mean since everyone can enjoy it everyone can dictate it?

According to the French, some American women dress like sacks of potatoes and look like ghosts without their makeup and hose, or witches with their flat footed shoes. So the french determine American fashion now? Well no. I am just illustrating the effect other countries and other perspectives have on each other in the art/fashion/music world.


(and maybe Jackie Kennedy)

One question Bourriaud asks;
"How do artists take account of the space in which they live?"

Through exploration and contact with other cultures something new emerges and an Fremerican or Amerench fashion emerges so instead of just looking like a sack of potatoes one can go about looking like...just Potatoes.

Now the world will have to strive for relating art and food in order to 'equally distribute' this necessity as well.